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Virtual Production

In-camera VFX and motion capture, built on Dicolor fine-pitch LED volumes and backed by us on site.

Virtual production • Adelaide

Flinders University, The Void

Flinders' The Void is one of the most advanced virtual production stages in the world, second only to Martin Scorsese's VP centre in New York. We delivered the curved MX191 volume with our partner ProAV Solutions, and we have stood beside Flinders as their technical partner for five years.

ProductMX191 P1.9Size10.5 x 3.5 mBrightness1200-1500 nitsRefresh7680 Hz
View the full Flinders Void case study →
Virtual production • Sydney

Macquarie Bank, TV Studio

Macquarie Bank built the first television studio to run flip-chip COB LED, pairing straight and curved surfaces for multiple camera angles. The HC1.2 holds colour and uniformity even at low brightness, so the picture reads cleanly from every shot.

ProductHC1.2 COBSize15.7 x 2.4 mResolution12690 x 1920LocationSydney
Virtual production • Sydney

AFTRS

For the Australian Film, Television and Radio School the screen had to satisfy professional film cameras. We supplied a curved AF2-261 main wall with MA590 side screens, running a low 1/8 scan with true 10-bit HDR, so depth and colour hold up take after take.

ProductAF2-261 + MA590Main screen8 x 4 mResolution3072 x 1536Capture1/8 scan, 10-bit HDR

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